Dietrich Varez (German/Hawaii 1939-2018) Hula Kane, Kapa 2 Signed 1994 Prints

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Item: 235730505917

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Artist:Dietrich Varez (German/Hawaii 1939-2018)
Type:Print
Year of Production:1994
Signed:Yes
Style:Americana,Art Deco,Modernism
Theme:Agriculture,Floral
Features:Signed
Production Technique:Woodcut Printing
Subject:Flowers

Dietrich Varez (German/Hawaii 1939-2018) Two (2) Woodblock prints Hula Kane, 1994 – sheet 12 by 9 inches, image 5 3/4 by 5 3/4 inches Kapa, 1994 – sheet 9 by 12 inches, image 5 by 5 inches Both titled, signed in pencil and dated. From AskArt, Dietrich Varez (born 28 March 1939) is an iconoclastic printmaker-painter. His work is among the most widely recognized of any artist in Hawaii. A long-time resident of the Big Island, he is known primarily for scenes of Hawaiian mythology and of traditional Hawaiian life and stylized designs from nature. He was born in Berlin, Germany, at the start of World War II. His father was Friedrich Donat, an architect and engineer of Lithuanian heritage, whom Varez has said was a Nazi who worked on military construction. His mother, Ursula, was a Polish-Swedish translator of English. As the war ended, Varez’s father left his family to fend for themselves and he went into hiding from occupation forces, a period Varez has said was “pure misery.” Ursula divorced Donat in 1947. In 1948, she married U.S. Army Sgt. Manuel Varez, who adopted her sons, Dietrich and Christopher, and brought the family to his home in Oahu, Hawaii. Dietrich graduated from President Theodore Roosevelt High School in Honolulu and from the University of Hawaii with a degree in English. He enlisted in the U.S. Army in 1962, earning the rank of second lieutenant, and then served in the Army Reserves in Honolulu while earning a master’s degree in English at the University of Hawaii. He married Linda Denneberg, a native of California who had come to Hawaii as a competitive surfer and stayed to become an artist, in 1965. Varez, with his wife and recently born son, moved to the Big Island in 1968 after purchasing a 9-acre (36,000 m2) property near Kilauea Volcano, sight unseen. For several years, the family lived in cabins at the Hawaii Volcano National Park, or in a tent on their land, supported by Varez’s groundskeeping job at a nearby golf course or as a bartender for the Volcano House, the 1877 lodge in the National Park overlooking the caldera of Kilauea Volcano. He supplemented his earnings by carving firewood scraps with the image of Pele, Goddess of the volcano, which he sold at the bar, and later he made woodblock prints, mostly giving them away but selling some in the lodge gift shop. In 1974, the nonprofit Volcano Art Center opened, providing increased visibility for his work. Varez prints became increasingly popular, eventually allowing Varez to earn a living as an artist. Varez has published more than 225 wood- and linoleum-block prints. The subject matter in most of Varez’s work is inspired by traditional Hawaiian legends, integrating mythological figures in scenes with flora and fauna typical of the diverse Hawaiian environment. His work is informed by graphic interpretations of traditional Polynesian designs, as seen, for instance, in Hawaiian quilts, and is especially rich in imagery from the Hawaiian rainforest. However, Varez has stated that he actively avoids other art that might influence the unmediated nature of his vision. His recent graphic work has branched out to include more modern stories, notably that of Father Damien, known for his work in the leper colony on Molokai, and also the renowned battleship USS Missouri (BB-63), berthed at Pearl Harbor, the U.S. Naval base on Oahu. His work is widely known through books that he has illustrated, and, in some cases, written, including:

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