METRONOME Magazine December 1960 V.77 #12 JAZZ Louis Armstrong, Nat Adderley

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Publication Name:Metronome
Signed:No
Publication Month:December
Publication Year:1960
Publication Frequency:Monthly
Language:English
Issue Number:12
Volume:77
Features:Illustrated
Genre:Music
Topic:Jazz,Music Industry News,Record Reviews
Country/Region of Manufacture:United States
Subscription:No

TITLE: Metronome DATE: December 1960 VOLUME 77 / NUMBER 12 CONDITION: Very GoodMinor handling, age, wear and use.Contents tight to the staples, white pages, no interior detractions. Slight wrinkling along one short area of the top edge, affecting a dozen or so pages.56 pages including covers. HIGHLIGHTS: Inside front cover ad with all the Fender Amplifiers of the day, and a photo illustration predicting the giant amps of the future!Looks like the editor forgot the Contents page, and it was bound in as the front part of the yellow-card short-sheet subscription insert. Features: Louis Armstrong on tour. Robert A. Perlongo with experimental jazz writing. Great article about the 1960 Monterey Jazz Festival which had as a highlight Ornette Coleman with Don Cherry, Scott LaFaro and Earl Blackwell (and some strings?). Jean Shepherd [the Humor Editor, of course] makes ’em laff. Nat Adderley interview. Guitarist Sal Salvador as band leader.Johnny Hodges about being Duke Ellington’s alto sax man. John Handy. Photography from Edward Weston. The Newsletter: Jack Gelber’s play The Connection, Sonny Rollins combines with Carl Sandburg, news report about Al ‘Jazzbo’ Collins trying to produce a taped television show from Paris. An Acme magazine. HIGHLIGHT: A special color insert [one 2-page sheet with tab] for a spectacular Ludwig trap drum kit. —————————————— ADDITIONAL INFORMATION:Metronome was a music magazine published from January 1885 to December 1961.History -Metronome began to shift away from classical music in the 1920s, when it featured a “Saxophone Department,” an instrument family that, by then, had become a symbol of American popular music. In 1932 the magazine’s tagline read “For Orchestra, Band, Radio and Motion Picture Theatre Musicians.”Beginning with the swing era, Metronome focused primarily on the genre of Jazz music appealing to fans. Writers for the magazine were its co-editors, Leonard Feather and Barry Ulanov; Miles Davis cited them as the only two white music critics in New York to understand bebop.George T. Simon, editor-in-chief from 1939 through 1955, sometimes wrote articles under the pseudonym Jimmy Bracken. He was a drummer, although he changed the magazine’s focus from articles on instrument-making and publishing, to items about recordings and the noted big-band leaders of the day.Bill Coss, editor-in-chief from 1956 through 1960 was also editor-in-chief of Jazz Today, a Metronome publication with additional Jazz focus. The demise of Metronome (1959–1961):Metronome, under financial duress, was set to close after the December 1959 issue, but, in the words of author John Gennari, they “won a reprieve when photography editor Herb Snitzer prevailed upon his wife’s uncle, Robert Asen, buy the [dying] publication.” Resuming operation under the leadership of Snitzer, editor Dave Solomon, and art director Jerry Smokler, Metronome became, briefly, a hip, avant-garde publication that surrounded its jazz coverage with cutting-edge Beat literature, …”politically-charged cartoons, and other innovative visual material.” Asen was Metronome’s publisher and Milton Lichtenstein was president of the underlying publishing firm, Metronome Corporation, a wholly-owned subsidiary of RMC Associates in New York. The “Saving of Metronome” was not RMC’s primary mission. The main job of RMC’s personnel was to serve as manufacturers’ representatives and field engineers in what was regarded as the most concentrated territory in the world for electronic instrumentation and engineering component markets. RMC’s clients included Hewlett-Packard, Western Electric, Bell Telephone Labs, Sperry Gyroscope, and Grumman Aircraft Engineering – and also unique clients such as the United Nations, Les Paul, and Mary Ford. Asen, in December 1960, had hired David Solomon as Metronome’s new managing editor [he had been an editor at Esquire and Playboy magazines in the 1950s]. “Trouble came in July 1961 when a cover photograph of a Coney Island female stripper [and an accompanying article by Snitzer with more provocative photos] raised the ire of high school librarians, five or six-hundred of whom cancelled their subscriptions. Solomon was fired, Dan Morgenstern took over, and, after the two Beat pieces in August and the Leroi Jones essay in September (see our additional listings for those two issues), the magazine reverted to straight jazz coverage.”But even that was too late to help out the doomed periodical.The final issue of Metronome was printed in December 1961 (Volume 78, No. 12). —————————————————- Please view carefully all photographic scans included, which are of the actual item(s) in the listing -These are an important part of the description. Please ask any questions prior to purchase. The “make offer” feature is not activated. No foreign sales. Thank You.

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