Boredom, Shanzhai, and Digitisation in the Time of Creative C… – 9789462984745

Boredom, Shanzhai, and Digitisation in the Time of Creative C... - 9789462984745

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Book Title:Boredom, Shanzhai, and Digitisation in the Time of Creative China
Number of Pages:320 Pages
Language:English
Publication Name:Boredom, Shanzhai, and Digitisation in the Time of Creative China
Publisher:Amsterdam University Press,Jeroen Kloet, Lena Scheen, WEN Cuiyan, Anneke Coppoolse, Eitan Wilf, Chow Yiu FAI, Esther Peeren
Publication Year:2019
Subject:Business
Item Height:234 mm
Type:Textbook
Author:Dr. Yiu Fai Chow, Prof. Dr. Ir. Jeroen De Kloet, Lena Scheen
Subject Area:Mechanical Engineering
Series:Asian Visual Cultures
Item Width:156 mm
Format:Hardcover

Boredom, Shanzhai, and Digitisation in the Time of Creative ChinaAuthor(s): Jeroen Kloet, Yiu Fai Chow, Lena Scheen, Jeroen Kloet, Chow Yiu Fai, Lena Scheen, Eitan Wilf, Anneke Coppoolse, Wen Cuiyan, Esther Peeren Format: Hardback Publisher: Amsterdam University Press, Netherlands Imprint: Amsterdam University Press ISBN-13: 9789462984745, 978-9462984745 Synopsis With its emergence as a global power, China aspires to transform from made in China to created in China. Mobilised as a crucial source for solid growth and soft power, creativity has become part of the new China Dream. Boredom, Shanzhai, and Digitisation in the Time of Creative China engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake goods challenge notions of the original and the authentic? Which spaces for expressions and contestations has China’s fast-developing digital world of Weixin, Taobao, Youku, and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents, and field notes, from thinkers, researchers, practitioners, and policy-makers, examine what is going on in China now, ultimately to tease out its implication to our understanding of creativity.

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