Boredom, Shanzhai, and Digitisation in the Time of Creative China by Jeroen de K

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ISBN-13:9789462984745
Book Title:Boredom, Shanzhai, and Digitisation in the Time of Creative China
Number of Pages:320 Pages
Publication Name:Boredom, Shanzhai, and Digitisation in the Time of Creative China
Language:English
Publisher:Anneke Coppoolse, Lena Scheen, Esther Peeren, Jeroen Kloet, Wen Cuiyan, Eitan Wilf, Chow Yiu Fai,Amsterdam University Press
Item Height:234 mm
Subject:Business
Publication Year:2019
Type:Textbook
Subject Area:Mechanical Engineering
Author:Dr. Yiu Fai Chow, Prof. Dr. IR. Jeroen De Kloet, Lena Scheen
Item Width:156 mm
Format:Hardcover

Boredom, Shanzhai, and Digitisation in the Time of Creative China by Jeroen de Kloet, Yiu Fai Chow, Lena Scheen, Eitan Wilf, Anneke Coppoolse, Wen Cuiyan, Esther Peeren With its emergence as a global power, China aspires to transform from “made in China” to “created in China”. Mobilised as a crucial source for solid growth and “soft power,” creativity has become part of the new China Dream. This anthology engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, a FORMAT Hardcover LANGUAGE English CONDITION Brand New Publisher Description With its emergence as a global power, China aspires to transform from made in China to created in China. Mobilised as a crucial source for solid growth and soft power, creativity has become part of the new China Dream. Boredom, Shanzhai, and Digitisation in the Time of Creative China engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake goods challenge notions of the original and the authentic? Which spaces for expressions and contestations has Chinas fast-developing digital world of Weixin, Taobao, Youku, and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents, and field notes, from thinkers, researchers, practitioners, and policy-makers, examine what is going on in China now, ultimately to tease out its implication to our understanding of creativity. Flap With its emergence as a global power, China aspires to transform from made in China to created in China. Mobilised as a crucial source for solid growth and soft power, creativity has become part of the new China Dream. Boredom, Shanzhai, and Digitisation in the Time of Creative China engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake goods challenge notions of the original and the authentic? Which spaces for expressions and contestations has Chinas fast-developing digital world of Weixin, Taobao, Youku, and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents, and field notes, from thinkers, researchers, practitioners, and policy-makers, examine what is going on in China now, ultimately to tease out its implication to our understanding of creativity. Author Biography Jeroen de Kloet is Professor at the Department of Media Studies, University of Amsterdam, the Netherlands, and affiliated to the School of Music and Recording Arts, Communication University of China. De Kloets publications cover Chinese popular music and youth cultures. His ERC project concerns creative practices in China. Chow Yiu Fai is Associate Professor at the Department of Humanities and Creative Writing, Hong Kong Baptist University. His current projects concern creative labour, creative practices and single women. Chow is also an award-winning creative writer in lyrics and prose. Lena Scheen is Assistant Professor of Global China Studies at NYU Shanghai. Scheens research explores the social and cultural impact of Chinas fast urbanisation, focusing on Shanghai and storytelling. Table of Contents Introduction I. Jeroen de Kloet, Yiu Fai Chow, and Lena Scheen We Must Create II. Eitan Wilf Creative China and Its Potential to Problematise Western-modern-romantic Ideologies of Creativity Section 1: Boredom Essays 1.1: Anneke Coppoolse Create No More! Clutter and Boredom, a Hong Kong Prospective 1.2: Wen Cuiyan Combating the Boredom of Traditional Performing Art? The Case of Muk-jyu-go Interlocuting 1.3: Esther Peeren You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism 1.4: Christoph Lindner Boredom and Creativity in the Era of Accelerated Living Notes from the field 1.5: Laura Vermeeren Evaporating Ennui – Water Calligraphy in Beijing 1.6: Li Hao Male Cinderella on the Small Screen in Mainland China In Dialogue 1.7: Yin Shan Lo, Kingsley Ng, and Kung Chi Shing Performativity in the Age of Banality Section 2: Shanzhai Essays 2.1: Anthony Fung and Yiyi Yin New Productive Culture: Shanzhai or Second Degree of Creation? 2.2: Louis Ho Creative Shanzhai Labour? – Leung Mei-pings Made in Hong Kong/Shenzhen 2.3: Xiao Yuefan Maoism and Disruptive Creativity: Shanzhai – an Alternative Perspective Interlocuting 2.4: Lena Scheen Isnt that funny?: The Unsettling Effect of Shanzhai Products 2.5: Stefan Landsberger Shanzhai = Creativity, Creativity = Shanzhai Notes from the field 2.6: Feng Fan Bringing the Chinese Dream to the U.S.A.: A Curatorial Practice in Art Education 2.7: Arjen Nauta Banal Creativity: What Does It Mean to be Creative for Hunan TV Practitioners? In Dialogue 2.8: Yin Shan Lo, Dai Dai, and Deng Chunru Two Side of SZ (Shanzhai & Shenzhen) Section 3: Digitisation Essays 3.1: Michael Keane Creativity, Affordances, and Chinese Traditional Culture Interlocuting 3.2: Chen Siyu Digital Payment, Vernacular Creativity, and Governmentality 3.3: Zeng Guohua Shopping Natural and Local Food as Everyday Resistance: Digitisation, Platformisation, and Online Retail of Rural Products Notes from the field 3.4: Liwen Deng Participatory Art On-off a Digital Platform – a Mobius Strip: On Cyber Nails in Curated Nails 3.5: Rowan Perry On-going Digitisation and Independence Chinese Documentary: A Field Report from Beijing 2015-2016 In Dialogue 3.6: Yin Shan Lo, Janet Fong, and Isaac Leung Digitisation with (in/out) Borders Biography of Contributors Endnotes Index Details ISBN9462984743 Publisher Amsterdam University Press Year 2019 ISBN-10 9462984743 ISBN-13 9789462984745 Format Hardcover Series Asian Visual Cultures Publication Date 2019-10-04 Pages 320 Language English UK Release Date 2019-10-04 Imprint Amsterdam University Press Place of Publication Amsterdam Country of Publication Netherlands Illustrations 35 Illustrations, black and white Author Esther Peeren Alternative 9789048535538 Edited by Lena Scheen Audience Professional & Vocational We’ve got this At The Nile, if you’re looking for it, we’ve got it. 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