Hairball Audio Fet/Rack Revision A

$1050.0 Buy It Now or Best Offer
free,30-Day Returns

Seller Store analogdogstudio
(4) 0.0%,

Location: Winchester, Massachusetts
Ships to: US,
Item: 166035584144

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Hairball Audio:Hairball Audio
Form Factor:Rack Mountable
Type:Dynamic Range Processor
Number of Channels:1
Input/Output Ports:XLR In,XLR Out
Analog/Digital:Analog
Effect/Enhancement:Compression/Limiting
Rack Unit Height:2U

Brand new Hairball Audio compressor, built and calibrated to perfection in my professional workshop with top notch tools and the utmost care. This is a ready to ship item, NO MADE TO ORDER! This unit is made from: – Hairball Audio genuine complete kit parts- Weller multicore 60/40 PF high grade solder- Super skilled soldering technique, components double checked and soldered one by one, leads trimmed before soldering for circuit’s longer life, pcbs exempt from dust and fingerprints for better reliability and best circuit performances, cleaned with proper high grade electronic purpose alcohol. The unit for sale is the one shown in the photos. This is one of the most popular compressor of all times. It features an unic circuit with two transformers for a fatter sound and fet transistors to provide a faster attack. It is a super versatile tool, leaves the low end full and punchy and is able to instantly make everything sound better. The most renown golden ears engineers along with the biggest world’s studios own many of these. The half of the outboard racks by Chris Lord Aldge is filled by 1176 compressors. This is also famous for being used as a guitar direct input for the Led Zeppelin song “Black Dog”. Also famous is the ability of bypassing the compressor out of the path to use the comp as a preamp, this can provide a super cool, creamy saturation. Andrew Sheps revealed he uses quite always a pair of rev. A as a mix bus parallel color box. There is quite anything you can’t do with these units despite the few controls. The more you use it, the more you discover new features. For exemple, the low ratios (4 and 8) has a lower threshold and soft knee and compresses the signal in an average mode, in a more of a constant way, while the high ratios (12-20) tend to have a faster attack, compress just the louder peaks of the signal, have an higher ratio and an harder knee. So, i.e., the higher ratios comes handy in tracking for smothing out unwanted loud paeks, while the low ratios are better suited for mixing purpose… but there is way more than this! Last, the famous “All In” mode, that changes the circuit behaviour for a super heavy compression, but still not harsh or too pumpy. In my personal taste and experience there is quite nothing that gives you a most awesome kick sound than an 1176 revision A.Buying an original revision A/B is almost impossible due to the incredible hype, they cost $ 10-15.000 for a unit nowadays.There are many replicas and reissue but almost.not as much affordable like the Universal Audio 1176 LN reissue that is sold for $ 1.000-2.00 on the second hand market, or the Purple MC77, just a littlebit cheaper.There are clones from Audioscapes Audio and Stam Audio but in very small bunch, very hard to find.The Hairball has been prooved to be as good sounding as the branded reissues and therefore become a market’s standard and a studio workhorse.This is for sure the best bung-for-buck deal you can get if you want to own this awesome piece of gear. I’m a trusted seller or Reverb and a long time studio sound engineer so you can bid with trust as i know how hard is to collect studio gear. It will ship worldwide via insured, express mail in a sturdy double box. Hit me up for any further information or even ask me infos and give me a call.

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