Italian VHS Maurizio Pozi Univideo – 1048402 Sealed

Italian VHS Maurizio Pozi Univideo - 1048402 Sealed

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Location: Napoli
Ships to: US,
Item: 176718370752

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EAN:8010020048427
Year of publication:1996
Medusa:Medusa
Genre:Comedy
Leading Role:Vanessa Gravina, Giuliana De Sio, Maria Grazia Cucinotta, Giulio
Country of origin:Italy / Italy
Directed:Maurizio Ponzi
MPN:Does not apply

VHS Title / Title:ItaliansDirector:Maurice PonziAudio / Language:Year/Release:1996Actors / Actor:Vanessa Gravina, Giuliana De Sio, Maria Grazia Cucinotta, Giulio Scarpati, Claudio BigagliDistributor / Distributor:JellyfishFormat / Format:VHSGenre:Comedy Print / Country:Italy / Italy Barcode / Ean:8010020048427Conditions / Condition:Sealed / SealedUbic.:VHS Box 79 / Regional Code / Region Code:2 PALOther information / Additional information: ITALIAN AUDIO. The Product is to be considered “collectible” and the evaluation is carried out visually only.The photo published corresponds to the item in our possession, but the product sent may differ slightly while maintaining the main characteristics. Early 1960s. On a train leaving Palermo for Milan, people with different lives and expectations travel. There is the young sleeper who loves his job but in that same carriage there is a builder ready to exploit the Cassa del Mezzogiorno with his son in tow and his young lover placed in an adjacent cabin. There is the whole family accompanying the father who finally has the opportunity to take everyone to the North. There is the aspiring policeman, the teacher with hopes of having her writing published, the priest, the nurse and the seduced and abandoned young woman who gives birth on the train. They are and many other characters that we will find again in the 1980s. Many will have changed, and not just in appearance.Maurizio Ponzi, together with Melania Mazzucco and Luigi Guarnieri, writes a film in which one can perceive the sensitivity of a person who knows the Sixties through direct experience and who, deep down, loves them. He demonstrates this by making four fifths of the film available to describe an Italy that was rapidly changing and in which hopes, illusions and, for some, already rapacious disenchantment coexisted. If you look beyond the excessive musical emphasis that accompanies the opening credits, you discover that the director has a cast of actors at his disposal to whom he entrusts the right roles without ever making mistakes. From some of them you can perceive an adherence to a character that they seem to have made their own.This is the case, for example, of Luigi Maria Burruano in the role of the father of the family who knows how much salt other people’s bread has in it, or of Lorenzo Crespi, a male Gaetano from the South who is aware of his skills as a seducer but incapable of understanding the female soul.The one described is an Italy that is definitively leaving the war behind and that is moving towards a future that will offer its best face only to some. For many, it will instead become just a time to withdraw into themselves, almost as if the train of life had entered a tunnel from the bottom of which it is difficult to see a light.Visit my eBay store: E-Record FEEDBACKIf you have any problems regarding the transaction, please contact us via eBay message or email before leaving negative or neutral feedback. We are at your complete disposal to try to solve any problem.The feedback It will be released automatically when you release yours, this is because unfortunately by giving it first, it was often not reciprocated. Early 1960s. On a train leaving Palermo for Milan, people with different lives and expectations travel. There is the young sleeper who loves his job but in that same carriage there is a builder ready to exploit the Cassa del Mezzogiorno with his son in tow and his young lover placed in an adjacent cabin. There is the whole family accompanying the father who finally has the opportunity to take everyone to the North. There is the aspiring policeman, the teacher with hopes of having her writing published, the priest, the nurse and the seduced and abandoned young woman who gives birth on the train. They are and many other characters that we will find again in the 1980s. Many will have changed, and not just in appearance. Maurizio Ponzi, together with Melania Mazzucco and Luigi Guarnieri, write

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